Men at Work, unlike many groups from 30 years ago have not yet regrouped for a Zimmerframe concert. Colin Hay, one of the members of the group, initially composed the lyrics verses, choruses and chord structure to the song Down Under. The song was first composed in 1978 and then underwent some changes over time. Men at Work was not formed until 1979. By 1980 Men at Work had grown to five musicians and by then Greg Ham who had joined the group had added a flute line. In 1979 Men at Work financed the recording of a single of Down Under.
The Kookaburra song consists only of four bars. Two of the bars appeared in this 1979 recording. In 1981 Down Under was re-arranged and shortened from the original version to three minutes and Greg Ham’s flute riff was substituted for the original bass riff melody introduction.
Greg Ham had said that he was aware of Kookaburra and was pretty sure that it was part of his school songbook when he was a child. He admitted to adding the flute to inject some Australian flavour into the song. On the other hand Colin Hay said that he was unaware of the reference to the melody of Kookaburra when the 1979 and 1981 recordings were made. A 1981 video performance of Down Under showed Greg Ham playing the flute riff in the middle of the song while sitting in a tree playing to a koala in a hangmans noose. Although he said he wasn’t aware of it at the time Colin Hay in his evidence accepted that the flute riff played by Greg Ham while sitting in the tree was a direct musical reference to Kookaburra.
Colin Hay still performs as a solo musician and regularly plays and performs Down Under on his acoustic guitar. When performing in concerts the flute line was apparently often played by other instruments such as a horn section played by back up musicians. Colin Hay was sometimes accompanied in concert by his wife and her band and when that occurred his wife Cecelia played the flute line on an “air flute”. Colin Hay gave evidence that for about two or three years from around 2002, when performing Down Under in concerts he sometimes sang the words of Kookaburra in the middle of the song at the point where the song had reached the flute line.
The judge hearing the case heard evidence from two musical experts who gave evidence as to whether or not there was an objective similarity between the part of the Kookaburra song used in Down Under and Kookaburra itself. The judge on all the evidence determined that was a sufficient degree of objective similarity. Furthermore the reproduction of Kookaburra in Down Under was a reproduction of a substantial part of Kookaburra.
When is there reproduction of a work for the purpose of copyright law? If you want to prove your case you have to show two things, the first being resemblance to and actual use of the copyright work and the second, being a causal connection between the copyright work and the infringing work. The causal connection which is to be established is that the infringer, (Men at Work) had copied the work. The copyright work must be the source from which the infringing work is derived.
The judge said that the 1979 and 1981 recordings of Down Under infringed the owner of the copyright in Kookaburra because both of the recordings reproduced a substantial part of Kookaburra.
Men at Work is an iconic Australian group. The Kookaburra song forms an important part of our culture as well. It was composed in 1934 by Miss Marion Sinclair.
This however was not a fight between Miss Sinclair’s family and Men at Work. The copyright to Kookaburra was owned by Larrikin Music Publishing Pty Limited. Miss Sinclair’s will appointed the Public Trustee as her sole executor and trustee. After her death the Public Trustee entered into a Deed of Assignment of the copyright in Kookaburra to Larrikin. Larrikin paid only $6100 for this Australian icon. But did Larrikin really own the copyright?
In 1934 the Victorian Girl Guides held a competition for various categories but including a song. The rules of entry provided that all entries were to become the property of the Guide Association. Marion Sinclair submitted her song Kookaburra. Marion Sinclair arranged for the song to be printed and it was made available for sale. Miss Sinclair donated the proceeds of sale to the Victorian Girl Guides.
Thereafter there was various correspondence and other documents which seemed to indicate that the Victorian Girl Guides and Marion Sinclair treated the song as in fact being owned by Marion Sinclair and not the Girl Guides.
The judge found that Marion Sinclair did not assign copyright to the Victorian Girl Guides. The Public Trustee was therefore entitled to sell the copyright to Larrikin and Larrikin were entitled to bring the court case that they did.
It seems offensive that someone is trying to make money from the sales of Men at Works’ famous song. You can’t help but think that Marion Sinclair would have been delighted to see a small reference to Kookaburra in Down Under.
But in the law of copyright and the pursuit of money a different approach is taken.
But 30 years had passed since the recordings of Down Under complained of. The similarity had never occurred to anyone until in 2007 on Spicks and Specks, a musical panel quiz show on the ABC a question was asked to “Name the Australian nursery rhyme that this riff has been based on?”. A part of Down Under was then played and one of the panel members made the link.
It somewhat offends against the Australian sense of fairness that Larrikin should make money out of this. Will they?
The judge hearing the case made it very clear that the mere fact that there had been an infringement of copyright did not necessarily mean that the printing presses would roll. Larrikin in their submissions suggested that they should be entitled to 40-60% of the income of the song Down Under. The judge said that that submission “grossly overreaches a proper allocation of any such entitlement”.
To obtain damages Larrikin will need to show that the flute riff is a substantial part of Down Under. They may have a little more difficulty in that aspect of the case and it is doubtful that Larrikin will obtain the windfall which they no doubt are seeking.
So when you write your next song, be sure that you eliminate any subconscious influences from the songs of your childhood!